Even when I’m in that high vibrational state, where I feel at one with the environment and where the art of photography seems like innate intuition, it’s not. It’s like driving a car: you can cruise on auto-pilot but that’s only because you’ve put in many miles of experience behind the wheel. Photography only comes easily after you’ve shot thousands … Read More
Add More Sparkle to Twilight Shots
Talking about night time events, well, dusk really, one of the key things a photographer has to prepare for is the need to add light, that is, more light than is available from the sky. At one of our recent Meetups, we started at The Haven in Terrigal. There were birds, boats, waves and people. The best part was the … Read More
Making great people photos
There are so many factors that go into good “people” shots. People photos for geographic magazines are a bit different from standard portraits. Sometimes they are raw photojournalism, but usually they fall into a genre called “environmental portraiture”. I’ve done this for so long now that I’ve come to really love it. The essential elements are: a) the lighting, b) … Read More
Ambient “lighting” is easy
Sometimes you don’t have to work at creating a background because you are blessed with the colours of nature. Or you’re just smart enough to go out at sunrise or sunset. Both of these pictures are pre-dawn. The colour in the sky at this time is called “afterglow” and I especially like this twilight time for the two-tone effect. However, … Read More
Rembrandt artist
Rather than using colour, as in the previous post, to get rid of a busy or dull background, you can accomplish it with exposure control alone. This artist worked in her garage and the best angle of her using her jewellery press had some old storage units behind her. The easiest thing was to turn the whole background black. And … Read More
Building up your lighting
While on the subject of lighting, here are a couple more examples of adding colour. Using coloured flashes is one way to overcome a drab scene – and when you’re indoors, in a clinical environment, it’s always a drab scene. I like to think of it as building my scene, a bit like adding layers of colours to a blank … Read More